Rabab Nemr
Rabab Nemr 2007

From: 11-4-2007 To: 3-5-2007
 
Zamalek Art Gallery Exhibitions for the artist:
Patience is a virtue 19-02-2017
Charity Exhibition 03-06-2016
Helwa Ya Baladi 18-04-2015
MASTERPIECES XI 01-08-2013
IN THE LOVE OF ALEXANDRIA 14-04-2013
MASTERPIECES X 25-07-2012
Mother Egypt Exhibition 06-03-2011
Masterpieces VIII 08-08-2010
RABAB NEMR - The Sea at Anfoushi 11-04-2010
Masterpieces VII 12-07-2009
17-05-2009
Masterpieces VI 14-07-2008
Rabab Nemr - Drawing - Ink on paper 20-04-2008
Masterpieces V 15-06-2007
Rabab Nemr 2007 11-04-2007
Masterpieces IV 17-06-2006
Masterpieces III 16-07-2005
Black.. White.. Color.. 27-02-2005
Masterpieces II 27-06-2004
Generation in Contemporary Art 30-10-2001
Collection 00-00-0000
Rabab Nemr 2007

Black and White were the basic elements to recognize my art world. While the black color stressed the shade of the painting, the white color stressed the light. The Chinese ink, with all its unlimited potentials in creating all grades of black, its technicalities in creating the thinnest lines using a radiograph pen, is capable of having an integrated expression in the painting.

I felt I am not only drawing, but at the same time weaving the surface of the painting with this ink that is best described as a noble material, and the pen that is best described as an obedient tool, in a way that ink is integrated with paper.

In my previous exhibition, the adventure has begun. Color, using Chinese ink and the quill pen, started to sneak slightly to limited light areas in the painting. With its varied beams, which differ based on the nature of the element; light began to crave diverse colors, in some areas.

In this exhibition, color becomes inevitable. It dominates expressions of light. The white color alone becomes incapable of expressing, entirely, the light value in the painting. Hence, color becomes my assistant to achieve this.

Work starts while putting into consideration black and white as the two basic elements in the skeleton. The painting is also concluded with black and white. After the skeleton is done, the turn of color comes. The painting starts over, anew, based on thinking in color. Color spreads over the light area in the painting, and it is sometimes mixed with shaded areas when needed.

In this tripartite relation, black, white and color integrate to achieve assimilation. White, the still element in the painting, is a principal element to recognize the light value, even with the existence of color which stresses the same value. Meanwhile, black stresses the balance between shade and light.

I hope that a new dimension is introduced to this art experience through having color embraced by black and white as a third element.

 
Exhibition Collection:
All Collection   I   Available
Nemr019
Rabab Nemr
2006
Ink on paper - 112x112 cm
Available
Nemr023
Rabab Nemr
2007
Ink on paper - 41x146 cm
Available
   
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